the arts pages
regulars - issue 80/81
Positive Nation
edited by Rose de Freitas
wwru cast

You think I'm making this up, don't you?
The Bohemians are all hilariously funny because they've got their rock history so wrong that, wait for it, a girl is called Meatloaf! And the big black dude is called Britney Spears!!
After the interval things disintegrate; it becomes a well-performed and over-priced pantomime, all bar the shouts of "he's behind

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you." What's more, because of the overly-impressive projections, any human activity on stage is dwarfed and the cast appear lost on the vast stage - especially when the baddies are around. (They hate movement as 'dance was once an expression of freedom.')
The most inexcusable thing of all happens right at the end - Bohemian Rhapsody is simply tacked on as a curious encore.
Plot aside, I feel it is only fair to point out some of the redeeming features of this £7 million production. The video work, for one, is remarkable. The Ga-Ga girls prancing around on stage like a collection of futuristic Barbie dolls - against a backdrop which looks every bit as expensive as it actually was - are fun.
The band, too, play hell-for-leather and all the cast without exception possess astonishing voices. Laurence Gibson

INTIMATE PORTRAITS

Miss Justine Garratty's exhibition 'Intimate Portraits' caused a stir. It was held

in Brighton's Hanover Centre last month during the illustrious Brighton Arts Festival, in a venue that also housed community events. Justine's stark black

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