certainly doesn’t
appear in a very sympathetic light.
“I’m no fan of the late Diana Spencer, either personally
or
what she
represents. I don’t think her role in the acceptance of HIV/Aids
was particularly significant. I think anyone in her position should
have done a lot more. I think she did the minimum amount and used
it for personal publicity.
“If you were fabulously wealthy and had servants
at your beck and call and a lot of your close friends and retainers
were gay and there was an illness destroying gay people around you,
wouldn’t you go and hold their hands in hospital?
“A
lot of other people were doing a great deal in those days and they
weren’t doing it for personal glory. Look, what’s influenced
the landscape for people with HIV? It’s the new treatments
not what Diana did. Do you really think it was Diana’s intervention
that made the new drugs available or the support improve for people
with HIV? There’s no way we should go belly up and sentimental
and see Diana Spencer as some kind of saint on HIV or landmines
or anything.
“The mood Diana captured was one of blatant materialism and
self-indulgence. It was celebrity obsession, mass hysteria with
no cogent or rational thought.”
Most of the other characters in the novel don’t come across
very well either.
“The only character in my book who comes out of it as a complete
shit is Dorian Gray and he’s a complete psychopath as he is
in Wilde’s original as well.”
So, it’s a sex and drugs and rock n’ roll lifestyle
in your novel?
Maybe the
sex and drugs, but not the rock n’ roll. What my novel does
show is the extent to which, in the world of emotions, events are
causally related. Gay men in particular were involved with a massive
increase in promiscuity followed by a deadly sexually-transmitted
epidemic.
“Inevitably both gay men and society in general felt these
two things were related but in reality they
probably weren’t. But everyone has to deal
with the moral consequences of this.
“Here
you have a minority in society defined by a sexual act who have
suffered repression. And my book deals with that in a way that a
lot of books don’t. I try to confront head on the