cannot face the shame; but
in the end there is a reconciliation. (After several songs of sadness
by the sea and a few public-style announcements on transmission
and condom use.)
The reconciliation scene was not originally in the script. In fact,
I had to argue strongly with the director, Rod Dungate, for the
scene. Rod, a former heath worker colleague, worked closely with
me on the storyline. He didn’t want this scene in it at all,
but I insisted on the set that it had to be included because the
community needs to see that it’s not the end of everything
if you have HIV.
The film is a tear-jerker and ends on a high moralistic note. The
message, simply: ‘You can’t be ashamed of an infection.’
It needed to be something that the family felt they could watch
together.”
(Of course one of the most vital ingredients in Ek Pal is the traditional
music and songs. Without this, the story doesn’t hold such
evocation either.)
How did it feel being an Asian woman making this kind of
film?
“Unfortunately, even in the UK’s south Asian community,
women are seen as promiscuous if they are at the forefront of the
kind of work I do. Often, I’ve been asked why a respectable
woman like myself - married with six children - should do this kind
of unpleasant work. “Does your mother know? Does your husband
know?” I get asked all the time.
It was, therefore, almost impossible at first to persuade people
to back my idea |
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